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Sheri-Marie Harrison
www.sherimarieharrison.com/
At the University of Missouri-Columbia I research and teach courses in Caribbean and African Diasporic literary and cultural studies. Originally from ...

Sherimarieharrison.com

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Sherimarieharrison.com is hosted in United States / New York . Sherimarieharrison.com uses HTTPS protocol. Number of used technologies: 6. First technologies: CSS, Html, Javascript, Number of used javascripts: 3. First javascripts: O9jvY4p1nAT1InI...jfPrHCB.js, Dynamic-data.js, Site.js, Number of used analytics tools: 0. Its server type is: . Its CMS is: Squarespace.

Technologies in use by Sherimarieharrison.com

Technology

Number of occurences: 6
  • CSS
  • Html
  • Javascript
  • Lightbox
  • Php
  • SVG

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Javascripts

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  • dynamic-data.js
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Content Management System

Number of occurences: 1
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HTTPS (SSL) - Sherimarieharrison.com

SSL certificate

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Meta - Sherimarieharrison.com

Number of occurences: 7
  • Name:
    Content: At the University of Missouri-Columbia I research and teach courses in Caribbean and African Diasporic literary and cultural studies. Originally from Jamaica, I completed my undergraduate degree in English at the University of the West Indies Mona in 2000, and received my PhD from the University of Miami in 2008. I have published essays in Anthurium and  Modern Fiction Studies and my book Jamaica's Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism Criticism was published by The Ohio State University Press in September 2014. Jamaica's Difficult Subjects offers a model for clarifying the dissonant politics of contemporary Caribbean fiction by tracing a range of difficult subjects across the Caribbean region's literary history. By constructing a lineage between difficult subjects in classic Caribbean texts like Wide Sargasso Sea and The Harder they Come and contemporary writing by Marlon James and Patricia Powell, this book presents a sweeping new history of Caribbean literature and criticism that reconfigures how we understand both past and present writing. Jamaica's Difficult Subjects thus rethinks how sovereignty is imagined, organized, and policed in the postcolonial Caribbean, opening new possibilities for reading multiple generations of Caribbean writing with new eyes. I am currently working on a second book project, tentatively titled After the Beginning Ends: Contemporary Fiction and Iconoclasm.  It considers the writing of immigrant and immigrant descended writers like Chimamanda Ngozi Adichie, Teju Cole, Edwidge Danticat, Junot Díaz, and Marlon James, whose work, I argue, is reconfiguring the contemporary American and Caribbean literary landscapes via iconoclastic re-readings of earlier narratives of national and communal belonging. After The Beginning Ends will analyze in particular how contemporary narratives elicit the frames of identity politics provided by postcolonialism, cultural nationalism, and transnationalism in order to break out of them, and to produce new accounts of contemporary global realities.    
  • Name: viewport
    Content: initial-scale=1
  • Name: twitter:title
    Content: About Me
  • Name: twitter:url
    Content: http://www.sherimarieharrison.com/
  • Name: twitter:card
    Content: summary
  • Name: twitter:description
    Content: At the University of Missouri-Columbia I research and teach courses in Caribbean and African Diasporic literary and cultural studies. Originally from Jamaica, I completed my undergraduate degree in English at the University of the West Indies Mona in 2000, and received my PhD from the University of Miami in 2008. I have published essays in Anthurium and  Modern Fiction Studies and my book Jamaica's Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism Criticism was published by The Ohio State University Press in September 2014. Jamaica's Difficult Subjects offers a model for clarifying the dissonant politics of contemporary Caribbean fiction by tracing a range of difficult subjects across the Caribbean region's literary history. By constructing a lineage between difficult subjects in classic Caribbean texts like Wide Sargasso Sea and The Harder they Come and contemporary writing by Marlon James and Patricia Powell, this book presents a sweeping new history of Caribbean literature and criticism that reconfigures how we understand both past and present writing. Jamaica's Difficult Subjects thus rethinks how sovereignty is imagined, organized, and policed in the postcolonial Caribbean, opening new possibilities for reading multiple generations of Caribbean writing with new eyes. I am currently working on a second book project, tentatively titled After the Beginning Ends: Contemporary Fiction and Iconoclasm.  It considers the writing of immigrant and immigrant descended writers like Chimamanda Ngozi Adichie, Teju Cole, Edwidge Danticat, Junot Díaz, and Marlon James, whose work, I argue, is reconfiguring the contemporary American and Caribbean literary landscapes via iconoclastic re-readings of earlier narratives of national and communal belonging. After The Beginning Ends will analyze in particular how contemporary narratives elicit the frames of identity politics provided by postcolonialism, cultural nationalism, and transnationalism in order to break out of them, and to produce new accounts of contemporary global realities.    
  • Name: description
    Content: At the University of Missouri-Columbia I research and teach courses in Caribbean and African Diasporic literary and cultural studies. Originally from Jamaica, I completed my undergraduate degree in English at the University of the West Indies Mona in 2000, and received my PhD from the University of Miami in 2008. I have published essays in Anthurium and  Modern Fiction Studies and my book Jamaica's Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism Criticism was published by The Ohio State University Press in September 2014. Jamaica's Difficult Subjects offers a model for clarifying the dissonant politics of contemporary Caribbean fiction by tracing a range of difficult subjects across the Caribbean region's literary history. By constructing a lineage between difficult subjects in classic Caribbean texts like Wide Sargasso Sea and The Harder they Come and contemporary writing by Marlon James and Patricia Powell, this book presents a sweeping new history of Caribbean literature and criticism that reconfigures how we understand both past and present writing. Jamaica's Difficult Subjects thus rethinks how sovereignty is imagined, organized, and policed in the postcolonial Caribbean, opening new possibilities for reading multiple generations of Caribbean writing with new eyes. I am currently working on a second book project, tentatively titled After the Beginning Ends: Contemporary Fiction and Iconoclasm.  It considers the writing of immigrant and immigrant descended writers like Chimamanda Ngozi Adichie, Teju Cole, Edwidge Danticat, Junot Díaz, and Marlon James, whose work, I argue, is reconfiguring the contemporary American and Caribbean literary landscapes via iconoclastic re-readings of earlier narratives of national and communal belonging. After The Beginning Ends will analyze in particular how contemporary narratives elicit the frames of identity politics provided by postcolonialism, cultural nationalism, and transnationalism in order to break out of them, and to produce new accounts of contemporary global realities.    

Server / Hosting

  • IP: 198.49.23.145
  • Latitude: 40.72
  • Longitude: -74.01
  • Country: United States
  • City: New York

Rname

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Target

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HTTP Header Response

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DNS

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